I have been playing a Colin Adamson viola since 2008 and love it as much as the day I first got it. For a smaller viola (15.5 inches), it still produces a rich, nuanced tone which is even across all four strings. Visually, the instrument is beautiful with the varnish bringing out the natural grain of the wood. I am very happy with my viola and would thoroughly recommend Colin Adamson to any instrumentalist looking for a quality instrument.
Violist in the Royal Liverpool Philharmonic Orchestra
When I saw the viola it was love at first sight. The sound blends well with the orchestra but also holds its own in a string trio. Having small hands, the neck is thin, which is a real advantage. The viola under the chin is much lighter than other violas I have tried, which makes ease of playing. The grain of the wood is a real joy to look at and it is a beautiful viola in sound and appearance.
Viola Player, Royal Scottish National Orchestra
In December 2010, I borrowed Colin Adamson’s newly finished violin (1715 ex Joachim Strad model) while my instrument was being repaired. I couldn’t give it back, I just had to buy it. The violin is not only beautiful to look at but more importantly, it has a wonderful sound. It is extremely responsive, with a rich tone which has lots of different colours in its sound palette. With an even sound across all the strings, this violin can project right to the back of concert halls with amazing clarity. The violin has the perfect combination of power and versatility.
Royal Scottish National Orchestra
I have been searching for my dream viola for the past 18 months and have tried countless instruments. I was immediately attracted to this particular viola; the rich varnish with an antique look immediately caught my attention. Most importantly, I was so pleased when I played it to discover the dark rich tone I had been longing for (which is constantly improving too!) which I can easily mould to my artistic ideas. The instrument is the right size for me, comfortable to handle, and rare for a viola; has equality in sound and articulation across all four strings. Many distinguished musicians have commented and complimented its craftsmanship and sound quality. The Maggini model is renowned for its tradition within the String Quartet genre and my colleagues in my quartet are delighted by the way the sound has really gelled with their instruments and helped to develop and improve our overall quartet sound. It is really nice to set-up a professional understanding relationship with Colin; all my minor changes such as a different tail piece and pegs have been carried out and we have kept in touch with regard to the viola and other concerts I am playing in. He gave me plenty of time to consider the instrument, has been totally supportive in all aspects and has shown a genuine interest and care in my dream of music-making. I am delighted to have found my viola.
Professional Viola Player & Conductor
I am the proud owner of two violins by Colin Adamson. My first Colin Adamson instrument was
made in Edinburgh in 2004, modelled on Stradivari`s famous violin of 17 known as Il Cremonese and once owned by Joseph Joachim.
Colin has produced a violin of real stature, the instrument is handsome to behold, made from well chosen wood and finished with a warm, subtle translucent varnish. The sound is strong, full of quality and is
truly a solo instrument capable of filling any large concert hall.If you are looking for an instrument that is immediately responsive, expertly made and with a sound that has volume, and quality, then this model is for you.
My second Colin Adamson instrument was made in Edinburgh in 2006, modelled on the Guarneri del Jesu of 17. known as “ The Lord Wilton” and was owned by Yehudi Menuhin. Here Colin has produced a violin of intense beauty, the varnish is especially warm and the sound although predominantly dark in nature is
also wonderfully complex and capable of many different colours. If you are looking for an instrument that is more introvert than extrovert but yet at the same time with a sweetness of sound that penetrates to the back of a hall then this model is for you.
In both instruments I particularly enjoy the evenness of sound over all four strings. I enjoy the choice
provided by the bright, soprano, extrovert character of the Sradivari model, contrasted by the dark, alto, introvert character of the Guarneri model. The art of violin making has been alive and well in Scotland for centuries and recent recognition of it’s outstanding quality long overdue. I am quite confident that Colin
Adamson is continuing that Scottish tradition and that his instruments will add to it’s growing reputation around the globe. I am delighted with my Colin Adamson violins and recommend them whole heartedly to
all lovers of the violin.
Member of BBC Symphony Orch. Principal of BBC Scottish SO, Associate Leader of RSNO, Leader Scottish Opera Orchestra, Member of The Philharmonia.
I have now been playing on one of Colin Adamson ‘s Strad copies since December 2009 and have used the violin for several orchestral solos for Radio 3 broadcasts and for several solo recitals. The violin produces the most beautiful bell-like, crystal clear tone in the upper register , in particular at the top end of the E string . The lower register yields the most wonderful deep sonorous tone that stays even in the high G string positions . Overall the violin is extremely responsive and produces and excellent projected tone. Aesthetically, the violin is beautiful . The varnish has a deep lustre and the craftsmanship in the making, is of the highest quality. The scroll is quite perfect. These tonal and aesthetic qualities are common traits in all of Colin’s violins that I have tried and I have absolutely no reservations whatsoever in recommending and endorsing Colin Adamson’s violins to any professional violinist in the hunt for an affordable quality instrument .